Elements of Craft Keep it Active If the first rule of writing is Show, Don't Tell, the second should be Keep It Active. Active voice is what puts us in the middle of the action and allows us to feel. Passive voice is what gives us the feeling that someone is telling us a story that happened once upon a time. Ray could suddenly feel the room widely circling around him before he started to wake up. He was feeling completely horrible. He hated feeling that way. Slowly rolling to his stomach and silently swinging one leg off the bed, he could use the floor as an anchor. The floor was solid and it would help to stop the dizziness. There was a good chance he would be very sick. Exciting, huh? Okay, let's examine why this leaves us breathless with boredom. Unnecessary words. Any word that doesn't add to your story detracts from it. Examine your prose for words like these: started to, began to, proceeded to, could, would, there was, there are, there is, there were, seemed to, tried to. Inactive verbs. Watch for passive verbs, such as was, is, were, are. Replace them with active verbs, the most active and descriptive words you can think of. -ing words. Verbs ending with "ing" are by nature more passive than those ending with "ed." Adverbs. Those -ly words that precede a verb weaken it, not strengthen it. If your verb isn't strong enough to make the statement you want it to make, find a stronger verb. Avoid Intensifiers. Very, really, totally, completely, truly and so on. Is completely empty any more empty? Before we look at our example above, let's examine each of these concepts individually and see how they suck the power right out of our prose. Each of the following sentence pairs gives a poorly written sentence, followed by one that improves it. It is the governor's plan to visit tomorrow. The governor plans to visit tomorrow. John proceeded to dump sand on the castle. John dumped sand on the castle. There were eight tiny reindeer leading Santa's sleigh. Eight tiny reindeer led Santa's sleigh. Jack could hear laughter. Jack heard laughter. Erin was sleeping. Erin slept. Mike was very tired. Mike was exhausted. (Better yet: Exhaustion dripped through Mike's bones like slow-pouring molasses.) She quickly and purposefully walked to Jarod and sharply hit his arm. She strode to Jarod and punched his arm. Now, before we apply these concepts to our example paragraph above, give it a try yourself. But be advised, more than one answer is possible, and I took it a step further and omitted complete sentences that added no value and redesigned others for a more effective flow. Ready? This is what I came up with: The room circled around Ray. He rolled to his stomach and swung one leg off the bed, using the floor as an anchor. Even before he opened his eyes, he knew he would be sick. Half as many words, twice the power. If you want additional instruction or explanation on this, study the previous discussion on "Say it Once, Say it Right." Learning to change ineffective passive prose into active voice is one of the most important things you can do to increase the quality of your fiction. Want more great tips and techniques? Our Inspiration for Writers Tips and TechniquesWorkbook is now available for immediate download. Expanded tips, more topics, reproducible worksheets, exercises to practice what you learn and much more--check it out!   Why have we chosen the yellow rose as the symbol for Inspiration for Writers? The yellow rose symbolizes joy, friendship, and the promise of a new beginning. Some sources cite the meaning of the yellow rose as "I Care." We believe that writing should bring joy. We believe the editing relationship must be friendly and should develop into a partnership and a friendship. We believe that through editing, your work takes on the promise of a new beginning-perhaps even a new career. And we take more than just pride in our work. We care that our editing makes your work the best it possibly can be. Check out what we can do for you. (c) copyright 2001 by Sandy Tritt. All rights reserved, except for those listed here. These pages may be reproduced for educational purposes (such as for writer's workshops), as long as this copyright notice and the url: http://tritt.wirefire.com are distributed with the pages. For use in conferences or other uses not mentioned here, please contact Sandy Tritt at Sandy@InspirationForWriters.com for permission and additional resources at no or limited charge. Questions? Comments? Email us at: editor@InspirationForWriters.com If no one responds to your question or comment within 48 hours, please email again. Custom Graphics by: